For Mahan Esfahani, the harpsichord has never been a historic instrument. Everything he plays buzzes with the same irrepressible energy and intelligence; whether the music of the English renaissance (an Esfahani passion), or a modern rediscovery by Maconchy or Srnka. The Guardian hailed the “piercing insight” of his Bach: a live event is a very special encounter with a really phenomenal artist.
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